Wednesday, March 6, 2013

Movie - Pagalil (Ilamai Enum Poongatru)






Ilamaiyenum poongaatru ... 
paadiyadhu oar paattu ...
oru pozhudhil oar aasai ... 
sugam sugam adhilae orae sugam ....
Ilamaiyenum poongaatru ... 
paadiyadhu oar paattu ...
oru pozhudhil oar aasai ... 
sugam sugam adhilae orae sugam ....
orae veenai orae raagam .....

Thannai marandhu mannil vizhundhu ...
ilamai malarin meedhu ..kannai izhandha vandu ...
dhaega sugaththil kavanam ... kaattu vazhiyil payanam ...
gangai nadhikku mannil anaiyaa ...
Ilamaiyenum poongaatru ... 

Angam muzhudhum ...pongum ilamai ...
idham padhamaayth thoanra ...
alli anaiththa kaigal ...
kaetka ninaiththaal marandhaal ..
kaelvi ezhumun vizhundhaalendha udaloa ... endha uravoa ...
Ilamaiyenum poongaatru ... 

Mangai inamum mannan inamum ...
kulam gunamum enna ... 
dhegam thudiththaal kannaedhu ...
koondhal kalaindha kaniyae ...
konji suvaiththa kiliyae...
intha nilaidhaan enna vidhiyoa

Ilamaiyenum poongaatru ... 
paadiyadhu oar paattu ...
oru pozhudhil oar aasai ... 
sugam sugam adhilae orae sugam ....
orae veenai orae raagam .....


Movie Pudukavithai - Vellai Pura Ondru





AAhhh…..

Vellai pura ondru yenguthu kaiyil varamale ...
Vellai pura ondru yenguthu kaiyil varamale ...

Namathu kathai puthu kavithai , ilakkangal itharku illai itharkku illai ...
Nan unthan poomalai Ohh ....

Vellai pura ondru yenguthu kaiyil varamale ...


Gangai vellam paayum pothu karaigal enna veliyo ...
AAviyodu serntha jothi paathai maarak koodumo ...
Manangalin niram partha kaathal, mugangalin niram parkumo ...
Nee kondu vaa kaathal varam ...
Poo thoovume panner maram ...
soodana kanavugal kannodu thallada..

Vellai pura ondru yenguthu kaiyil varamale...

Ahh

Poovil sernthu vaazhum vaasam kaaval thanai meerume ...
Kaalam maarum endra pothum, kaadhal nathi oorume ...
Varaiyaraigalai maatrumpothu thalaimuraigalum maarume ...
Endrum unthan nejorome ...
Anbe unthan sanjarame ...
Kaarkaala silirpugal kannoram undaga ...

vellai pura ondru yenguthu kaiyil varamale ...
Namathu kathai puthukavithai ....
Ilakkanangal itharku illai ....
Naan unthan poomalai…Ohh ...

Laa ..la lalalaaa..laa la la ..laa



Sunday, March 3, 2013

Sri Rangapura Vihara -- MS Subba Lakshmi

























Sriranga mangala nidhim karuna nivasam ...
Sri Venkatadri shikaralaya kalamegam ...
Sri Hasthisaila sikarojwala parijatham ....
Srisannamami sirasa Yadhusaila deepam ...

Rangapura vihara ...Sri Rangapura vihara ...
Jaya koodanda Raamavatara ... Raghuveera shri Rangapura vihara.. 
Jaya koodanda Raamavatara ... Raghuveera shri Rangapura vihara..
Jaya koodanda Raamavatara ... Raghuveera shri Rangapura vihara.. aaa

Ahngaja janaka deva brndavana sarahngendra varada ramantarahnga ...
Ahngaja janaka deva brndavana sarahngendra varada ramantarahnga ...
shyama lahnga vihahnga turahnga sadayapahnga satsahnga ...
Rangapura vihara ...shyama lahnga vihahnga turahnga sadayapahnga satsahnga ....
Rangapura vihara ...Jaya koodanda Raamavatara ... Raghuveera shri Rangapura vihara.. aaaaaa

Pankajaptakula jalanidhi soma...Pankajaptakula jalanidhi soma.......
vara pahnkaja mukha pattabhi Rama ...
Pankajaptakula jalanidhi soma...Pankajaptakula jalanidhi soma.......
vara pahnkaja mukha pattabhi Rama ...
padapahnkaja jitakama Raghu Rama ....padapahnkaja jitakama Raghu Rama ....Raama... 
Vamahnka gata Sitavara ....
vesa shesahnka shayana bhakta santosa.. enahnkaravi nayana mrdutarabhasa ..
akalahnka darpana kapola vishesa ...
Munisankata Harana Govinda Venkata Ramana Mukunda .... 
Sankata Harana Govinda Venkata Ramana Mukunda ...
sankata Harana Govinda Venkata Ramana Mukunda ...
sahnkarsana mula kanda Shahnkara guruguhananda ....

Rangapura vihara ...
Jaya koodanda Raamavatara ... Raghuveera Shri Rangapura vihara.. 

________________________________________

Meaning:

O resident of the town called Ranga! Victory to you who incarnated as Rama, the famed owner of the bow Kodanda! Brave scion of the Raghu clan!

Father of Cupid! One who is as swift as the King of Deers in running to the aid of the Gods to remove their sufferings! Giver of boons! Resident in the heart of Lakshmi! Scarlet hued one! One with Garuda as his mount! Unsurpassed in compassion! Ever present in good company! 

O Moon to the Ocean like Sun clan! Venerated lotus faced Rama, who was crowned as King! One whose feet are like lotus! Vanquisher of Cupid in beauty! Rama, of the clan of Raghu! Bridegroom of Sita who is on the left! Recliner on Sesha the great serpent! Delight of devotees! One with the Sun and Moon as two eyes! Soft spoken one! One with a forehead akin to an unblemished mirror! Destroyer of the sufferings of Sages! Govinda! Venkataramana! Mukunda! Sankarshana! Primordial root! Joy to Subrahmanya, the preceptor of Siva!

Carnatic Music




Sarali Varisai

Raga:      Mayamalavagowla (15th Melakartha Ragam)
Arohana:   S R1 G3 M1 P D1 N3 S
Avarohana: S N3 D1 P M1 G3 R1 S
Talam:     Adi

===========================================================

Sa Pa Sa Pa Sa

1.Simple ascent/descent
Laya pattern: 12345678

Sa ri ga ma | pa da ni sa
sa ni da pa | ma ga ri sa

third speed sing 2 times
fourth speed sing 4 times

===========================================================

2. Focus on R and N
 Laya Pattern : 12-12-1234 and 1234 5678

sa ri-sa ri-| sa ri ga ma
sa ri ga ma | pa da ni sa
sa ni-sa ni-| sa ni da pa 
sa ni da pa | ma ga ri sa

4th speed sing 2 times 

===========================================================

3. Focus on G and D
Laya Pattern : 123-123-12 and 1234 5678

sa ri ga - sa ri  ga - sa ri 
sa ri ga ma  pa da ni sa
sa ni da - sa ni da-sa ni
sa ni da pa ma ga ri sa

===========================================================

4. Focus on M and P
Laya Pattern : 1234-1234 and 1234 5678

sa ri ga ma - sa ri ga ma
sa ri ga ma | pa da ni sa
sa ni da pa - sa ni da pa
sa ni da pa | ma ga ri sa

===========================================================

5. Focus on P and M (Dheergam) and R,N
Laya Pattern : 1234 56-12 and 1234 5678

sa ri ga ma   pa ..  sa ri 
sa ri ga ma | pa da ni sa
sa ni da pa   ma .. sa ni
sa ni da pa | ma ga ri sa

===========================================================

6. Focus on G and D
Laya Pattern : 1234 56-12 and 1234 5678

sa ri ga ma   pa da-sa ri 
sa ri ga ma | pa da ni sa
sa ni da pa   ma ga-sa ni
sa ni da pa | ma ga ri sa

===========================================================

7. Focus on N and R (Dheergam)
Laya Pattern : 1234 56-7 and 1234 5678

sa ri ga ma   pa da ne ..
sa ri ga ma | pa da ni sa
sa ni da pa   ma ga ri ..
sa ni da pa | ma ga ri sa

===========================================================

8. Zig Zag with Focus on "pmgr" and "mpdn"
Laya Pattern : 1234-4321 and 1234 5678

sa ri ga ma | pa ma ga ri \
sa ri ga ma | pa da ni sa
sa ni da pa | ma pa da ni /
sa ni da pa | ma ga ri sa

===========================================================

9. Zig Zag with Focus on "pmdp" and "mpgm"
Laya Pattern : 1234-4321 and 1234 5678

sa ri ga ma | pa ma da pa \/
sa ri ga ma | pa da ni sa
sa ni da pa | ma pa ga ma /\
sa ni da pa | ma ga ri sa

===========================================================

10. Focus on P (dheergam) and the region between G and N; and practicing resting on G (nyaasa swaram)
Laya pattern: 1234 56-12 and 1 , , , 1 , , , and
                     1234 - 4321 and 1234 5678

sa ri ga ma | pa , ga\ ma/
pa ,  ,  ,  | pa , , ,
ga ma pa da/| ni da pa ma\
ga ma pa, ga| ma ga ri sa

=======================================================================

11. Focus on dheergams at S, N, D, P.
Simple patterns: "Snd", "Ndp", "Dpm" and the region between G and N (finishing phrases) Janta at p, p,

Sa  ,  ni  da  | ni , da  pa 
da  ,  pa ma | pa , pa  ,  
ga ma pa da/| ni da pa ma\
ga ma pa–ga | ma ga ri sa

========================================================================

12. Preview of Janta (sphuritam) concept: "SS", "nn", "dd", "pp".
Simple patterns: "SSnd", "nndp", "ddpm" . Dheergam at "paa" and the region between G and N (finishing phrases)

Sa Sa ni da | ni ni da pa  
da da pa ma | pa ,  pa ,   
ga ma pa da | ni da pa ma  
ga ma pa-ga | ma ga ri sa  


========================================================================

13. ZigZag Patterns: "srgr G", "gmpmP",
Dheergam Focus: G, P, D and the region between M and N (with a lot of emphasis on zigzag and D-notes)

Sa ri ga ri    | ga ,- ga ma
pa ma pa ,- | da pa da ,
ma pa da pa | da ni/da pa\  
ma pa da pa | ma ga ri sa


========================================================================

14.Dheergam at P and S.
Jantas at D and M

Sa ri ga ma | pa ,  pa ,  
da da pa , \| ma ma pa , / 
da ni Sa ,  | Sa ni da pa
Sa ni da pa | ma ga ri sa

========================================================================


Janta Varisai

Raga:      Mayamalavagowla (15th Melakartha Ragam)
Arohana:   S R1 G3 M1 P D1 N3 S
Avarohana: S N3 D1 P M1 G3 R1 S
Talam:     Adi

s = sa ; r = ri ; g = ga ; m = ma ; p = pa; d = dha ; n = ni ;

===============================================================


1. Basic ascent/descent with janta


S S r r | g g m m 
p p d d | n n s s 
s s n n | d d p p 
m m g g | r r s s 


===============================================================


2.Janta Emphasis (starting and ending) at each of the seven notes
Laya pattern: 11-22-33-44 and 11-22-33-44 (12-12-12-12)


S S r r | g g m m 
r r g g | m m p p 
g g m m | p p d d 
m m p p | d d n n 
p p d d | n n S S 
S S n n | d d p p 
n n d d | p p m m 
d d p p | m m g g 
p p m m | g g r r 
m m g g | r r s s 


===============================================================

3.Janta with single notes (eg: ssr-ssr-sr), and pattern repeated.
Laya pattern: 112-112-12 and 11-22-33-44
(123-123-12)


s s r-s s r-s r 
s s r r g g m m 

r r g-r r g-r g 
r r g g m m p p

g g m-g g m-g m
g g m m p p d d

m m p-m m p-m p 
m m p p d d n n 

p p d-p p d-p d 
p p d d n n s s 

s s n-s s n-s n
s s n n d d p p

n n d-n n d-n d 
n n d d p p m m

d d p-d d p-d p 
d d p p m m g g

p p m-p p m-p m 
p p m m g g r r

m m g-m m g-m g 
m m g g r r s s 

===============================================================

4.Janta with single notes (eg: ssrrg-srg), and pattern repeated.
Laya pattern: 11223-123 and 11-22-33-44
(12345-123)


s s r r g - s r g 
s s r r g g m m 

r r g g m -r g m 
r r g g m m p p

g g m m p-g m p 
g g m m p p d d

m m p p d-m p d 
m m p p d d n n

p p d d n-p d n 
p p d d n n s s

s s n n d-s n d 
s s n n d d p p 

n n d d p-n d p 
n n d d p p m m 

d d p p m-d p m 
d d p p m m g g

p p m m g-p m g 
p p m m g g r r

m m g g r-m g r 
m m g g r r s s 

===============================================================

5. Zigzag: srgr-rgmg-... pattern, but in janta.
Laya pattern: 11-22-33-22 and 11-22-33-44
(12-12-12-12)


s s r r | g g  r r 
s s r r | g g  m m 

r r g g | m m  g g 
r r g g | m m  p p

g g m m | p p  m m 
g g m m | p p  d d

m m p p | d d  p p 
m m p p | d d  n n 

p p d d | n n  d d 
p p d d | n n  S S 

S S n n | d d  n n 
S S n n | d d  p p 

n n d d | p p  d d 
n n d d | p p  m m 

d d p p | m m  p p 
d d p p | m m  g g 

p p m m | g g  m m 
p p m m | g g  r r 

m m g g | r r  g g 
m m g g | r r  s s 

===============================================================

6. Janta with dheergams interspersed (ss, - rr, -gg) and pattern repeated.
Laya pattern: 11, - 22, - 33 and 11-22-33-44
(123- 123 - 12)

s s , r | r ,  g g 
s s r r | g g  m m 

r r , g | g ,  m m 
r r g g | m m  p p 

g g , m | m ,  p p 
g g m m | p p  d d 

m m , p | p ,  d d 
m m p p | d d  n n 

p p , d | d ,  n n 
p p d d | n n  S S 

S S , n | n ,  d d 
S S n n | d d  p p 

n n , d | d ,  p p 
n n d d | p p  m m 

d d , p | p ,  m m 
d d p p | m m  g g 

p p , m | m ,  g g 
p p m m | g g  r r 

m m , g | g ,  r r 
m m g g | r r  s s 

===============================================================


7. Janta with dheergams interspersed in a slightly different pattern (s,s - r,r -gg) and
pattern repeated.
Laya pattern: 1,1 - 2,2 - 33 and 11-22-33-44
(123- 123 - 12)


s , s r | , r  g g 
s s r r | g g  m m 

r , r g | , g  m m 
r r g g | m m  p p 

g , g m | , m  p p 
g g m m | p p  d d 

m , m p | , p  d d 
m m p p | d d  n n 

p , p d | , d  n n 
p p d d | n n  S S 

S , S n | , n  d d 
S S n n | d d  p p 

n , n d | , d  p p 
n n d d | p p  m m 

d , d p | , p  m m 
d d p p | m m  g g 

p , p m | , m  g g 
p p m m | g g  r r 

m , m g | , g  r r 
m m g g | r r  s s 

===============================================================

8. Triple janta (sss-rrr-gg) and pattern repeated. Note that this janta and the previous two
jantas all had a laya base pattern of 123-123-12 - 1234-5678; but they divided the three
counts in different ways.
Laya pattern: 111 - 222 - 33 and 11-22-33-44
(123- 123 - 12)


s s s r | r r  g g 
s s r r | g g  m m 

r r r g | g g  m m 
r r g g | m m  p p

g g g m | m m  p p 
g g m m | p p  d d 

m m m p | p p  d d 
m m p p | d d  n n 

p p p d | d d  n n 
p p d d | n n  S S 

S S S n | n n  d d 
S S n n | d d  p p 

n n n d | d d  p p 
n n d d | p p  m m 

d d d p | p p  m m 
d d p p | m m  g g 

p p p m | m m  g g 
p p m m | g g  r r 

m m m g | g g  r r 
m m g g | r r  s s 

===============================================================

9. One line has dheergams (s , r g , - s r g) followed by janta pattern.
Dheergams at the first and third notes of the pattern.
Laya pattern: 1, 23 , - 123 and 11-22-33-44
(12345-123)


s , r g | , - s  r g 
s s r r | g g  m m 

r , g m | , - r  g m 
r r g g | m m  p p 

g , m p | , - g  m p 
g g m m | p p  d d 

m , p d | , - m  p d 
m m p p | d d  n n 

p , d n | , - p  d n 
p p d d | n n  S S 

S , n d | , - S  n d 
S S n n | d d  p p 

n , d p | , - n  d p 
n n d d | p p  m m 

d , p m | , - d  p m 
d d p p | m m  g g 

p , m g | , - p  m g 
p p m m | g g  r r 

m , g r | , - m  g r 
m m g g | r r  s s


===============================================================

10. One line has dheergams (s r , g , - s r g) followed by janta pattern.
Dheergams at the second and third notes of the pattern.
Laya pattern: 1 2 , 3 , - 123 and 11-22-33-44
(12345-123)


s r , g | , - s  r g 
s s r r | g g  m m 

r g , m | , - r  g m 
r r g g | m m  p p 

g m , p | , - g  m p 
g g m m | p p  d d 

m p , d | , - m  p d 
m m p p | d d  n n 

p d , n | , - p  d n 
p p d d | n n  S S 

S n , d | , - S  n d 
S S n n | d d  p p 

n d , p | , - n  d p 
n n d d | p p  m m 

d p , m | , - d  p m 
d d p p | m m  g g 

p m , g | , - p  m g 
p p m m | g g  r r 

m g , r | , - m  g r 
m m g g | r r  s s 

===============================================================

11. One line has dheergams (s , r , g - s r g) followed by janta pattern.
Dheergams at the first and second notes of the pattern.
Laya pattern: 1 , 2 , 3 - 123 and 11-22-33-44
(12345-123)


s , r , | g - s  r g 
s s r r | g g  m m 

r , g , | m - r  g m 
r r g g | m m  p p 

g , m , | p - g  m p 
g g m m | p p  d d 

m , p , | d - m  p d 
m m p p | d d  n n 

p , d , | n - p  d n 
p p d d | n n  S S 

S , n , | d - S  n d 
S S n n | d d  p p 

n , d , | p - n  d p 
n n d d | p p  m m 

d , p , | m - d  p m 
d d p p | m m  g g 

p , m , | g - p  m g 
p p m m | g g  r r 

m , g , | r - m  g r 
m m g g | r r  s s 


===============================================================

12. Janta with dhatu-style jumps and zig-zag (ss mm gg rr) followed by janta pattern.
Laya pattern: 11- 44 - 33 -22 and 11-22-33-44
(12-12-12-12)


s s m m | g g  r r 
s s r r | g g  m m 

r r p p | m m  g g 
r r g g | m m  p p 

g g d d | p p  m m 
g g m m | p p  d d 

m m n n | d d  p p 
m m p p | d d  n n 

p p S S | n n  d d 
p p d d | n n  S S 

S S p p | d d  n n 
S S n n | d d  p p 

n n m m | p p  d d 
n n d d | p p  m m 

d d g g | m m  p p 
d d p p | m m  g g 

p p r r | g g  m m 
p p m m | g g  r r 

m m s s | r r  g g 
m m g g | r r  s s 


===============================================================